ABBAMAIL Columnist Neil Hopwood

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TV Promotion for The Visitors

This is a topic that I’ve been thinking about for some time and after a recent post by a fellow ABBAMAILER on ABBAMAIL, and after some more thought, I decided to add my bit on this topic this month.

The start of the 1980’s most certainly saw ABBA slowing down their pace dramatically where promotional activities were concerned. 1980 in itself was still quite busy, they had the tour of Japan in March which wrapped up their second and last world tour and were busy working on what would turn out to be the ‘Super Trouper’ album at the end of the year, as well as a couple of television promotional programs thrown in for good measure, even if one was recorded in Stockholm due to the kidnap threats.

Even so, the promotional activity for ‘Super Trouper’ was not on a scale anywhere near what had been done for their previous albums. The ‘Super Trouper’ album sold itself on the strength of ABBA’s credibility and the usual promotional clips that the world had become accustomed to from ABBA.

This lack of activity certainly hit home the other night when I watched the DVD of the ‘Arrival’ 30th anniversary release. The interviews, traveling and marketing for the album in 1976 was quite intense. It was quite clear that the hard work and perseverance of the past few years were beginning to pay off.

By the time the new decade started ABBA had certainly established themselves as a solid recording group with a regular output of music that had a wide appeal. I suppose they felt that there was no need for constant promotion and yes it could be argued that ABBA had started what appeared to be have begun to rest on their laurels. Who can blame them actually? A lot of work had gone into ABBA as such since their first recordings in 1972 and not only had they progressed as a music force to be contended with, their personal lives had also changed.

Agnetha has made no bones about the fact that during the latter part of ABBA’s career she wanted to spend more time with her children and it must have been difficult to juggle ABBA’s success and activity as well that of a home life as a single parent with two small children. This decision I can personally relate to. Since my daughter was born just over 3 years ago, I’ve spent more time at home and made quite a few other sacrifices for her benefit. Many people have said to me I don’t work as hard as I used, but I believe that since 1994, I’ve set up a successful business and the hours of working until midnight every day of the week are now working to the advantage of my family. People still know me, I get referrals for new business and my existing database of clients is still maintained to a high standard. I can totally empathise with Agnetha’s feelings at the time. 1981 was also the time when Björn and Agnetha’s eldest child, Linda, started school and a lot of time and energy gets taken up by that, especially where children are concerned. Time has to be made for fetching and carrying as well as the extra-curricular activities that kids participate in, and as a parent, one does want to be involved. Trust me, I know I’m there.

This type of decision by one quarter of one the world’s most popular pop group must have had a profound effect on the other 3. If the one is available for only what is absolutely necessary, it must have had an effect on the others and besides which Benny dropped the bombshell on Frida early on in 1981 that he had met somebody else and was leaving her.

ABBA and the music world had survived Agnetha and Björn’s divorce, but were ABBA themselves going to survive Benny and Frida’s break-up? Well, ABBA dealt with it in their own way, and what came out of it was the rather gloomy album, ‘The Visitors’ at the end of the year. The result was a hit album in some territories with a couple of singles, the best faring being ‘One Of Us’.

I recently read somewhere that after the kidnap threats Björn felt that there was no reason for ABBA to continue. Frida had also set plans in motion for her first solo album since 1975. Not to forget that Björn and Benny had also begun to lose interest in ABBA with their direction moving towards the musical that they longed to write, which was evident on ‘The Visitors’, and was further, highlighted a year later with ABBA’s 1982 meagre output.

I’ve got to believe that with all their general respective thoughts, the four of them were most certainly going in a different direction and had absolutely no motivation to promote anything from ‘The Visitors’ on television other than through their promotional video’s and a couple of rare interviews, where I don’t recall the four of them appearing together as a group, it was either Agnetha and Frida together or Benny and Björn.

This period was most certainly not a happy time for ABBA, in fact so much so, a direct contrast to what we saw with the ‘Super Trouper’ promotional activities just a year before. Even the promotional videos from ‘The Visitors’ did not really reflect ABBA in the way the world knew them. They all too well said what ABBA themselves really felt. It was raw, exposed, in your face and exactly what the real world is all about. ABBA had done what they could, gave the best that they could offer and towards the end showed the world that they were also human beings and that they also had feelings. Who needed television promotion for that? It’s quite ironic that some of ABBA’s previous hits dealt with major personal issues and yet Björn has been quoted in interviews as saying, ‘some of our best stuff was written after the divorces.’

The personal issue I also believe got in the way and I honestly think Frida and Benny’s divorce was the final nail in ABBA’s coffin despite this not being said at the time. ABBA was no longer what they initially set out to be all those years ago, two happy couples making happy pop music. There was no happiness left and there was no reason to promote it other than with minimum effort. Which is what they did.

I for one know, if I was working my wife and we split, there would be no motivation or reason to try and promote a happy front to please those around us. So, I’m not surprised ABBA’s television promotion for ‘The Visitors’ in 1981 was non-existent, the recording studio and the resulting songs recorded that year must have been hard enough to finish anything else would more than likely have been torture!

Neil