FIRST CHESS LONDON CONCERT: REPORT
Just back from London and here a quick report on the concert. It turned out to be an evening with some mixed feelings, but overall it was a concert I wouldn't have wanted to miss for the world.
Tim Rice opened the concert with a short note. He mentioned the fact that it is already almost 25 years ago that chess saw the light of day. Those words hit me right into my heart. I didn't realise that is was so long ago. Seeing Chess in 1986 was the first trip abroad on my own, and it was also the first ABBA related thing I saw in my life upon that moment. That is 22 years ago, a time when the future looked so bright,
while at this moment my life has been hit by loads of bad, sometimes horrific news. Because of this, the evening turned out to be a highly emotional one for me. When Idina sang nobody's side the tears flooded from my eyes and pity the child broke me.
Mixed however where my feelings about the quality of some of the performers. Two of them, Marty Pellow (former leadsinger from wet, wet, wet) and Idina Menzel ( of Rent and Wicked) failed to impress me. That was somewhat of a disappointment, because I had high expectations of Idina, whom I loved in Rent and Wicked. But she simply wasn't fit for the job. The music of chess is very complicated for singers, esp. the
part of Florence. Florence has a wide range of songs to sing from up-tempo to ballads, from rock to classical. And Idina failed at that point. She also sounded too American for me. Besides that, she sometimes didn't remember the words. Luckily she was in her own territory with the final, which she did excellent. Seeing Idina was one of my dreams left, because I missed her in the London Wicked. Marty Pellow was also a mistake. Mr Pellow has no stage presence at all. He really was a shame.
But there where also a few nice surprises. Josh Groban (who performed Anatoly once before on the New York concert) made a very good Anatoly. His first act ending, Anthem, was one of the highlights of the evening and brought down the house.
Adam Pascal who played Freddie, missed a few notes here and there, but besides that he is the ultimate Freddie for me. Some will perhaps doubt that (I heard some people talk less enthusiastic about his performance) but in a musical version he will be the ultimate Freddie I am very much convinced of that. He looks sexy, has a good rock voice and a dominating stage appearance. He was the sole reason for me to book the ticket anyway and he didn't disappoint me. Quite sensational was the performance of Kerry Ellis, whose 'someone else's story' brought down the house again. I have seen here once in Wicked in London (when she replaced Indina), and already then she managed to impress me. Although she had not many songs to sing, the few things she did sing, she did so well that she completely outshined Idina Menzel.
Tim Rice said in his intro that he hoped that the version of Chess presented in the concert will turn out to be the definite version. I doubt that, I still think the Stockholm version is by far better. Nevertheless as a concert, Chess still works very well especially with a very good orchestra and choir. Orchestra and Choir where in good shape yesterday. We all seem to forget that Chess is not a musical. It's a pop
opera and it needs a big orchestra and choir.
So, it turned out to be an highly emotional evening for me and one I will never forget. The cast brought the house down at several moments in the show and the public clearly enjoyed the evening. They received a very enthusiastic reply from the audience which rose to its feet at the ending of the show. Some ABBA fans, critical as ever (and as usual, too critical in my view) may have enjoyed the show less.
I think the second performance tonight will be much better. It was clear that the first show was not very well rehearsed.
I was also interested to hear that Björn was in the audience with Tommy Körberg and that the entire performance was filmed.
Thanks to ABBAMAILer Marco Dirven, Eindhoven, The Netherlands


